Félix Vallotton, *The Library*, 1921 (Detail)

Félix Vallotton, The Library, 1921 (Detail)


Gawkers: Art and Audience in Late Nineteenth-Century France. Princeton University Press, February 2022. Print and E-book.
Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting. Princeton University Press, 2013. E-book on A&AePortal of Yale University Press, 2019.

Book Chapters and Exhibition Catalogs

“Painting in Common.” In Mette Bøgh Jensen, et al., Marie Krøyer (Skagen and Copenhagen, 2023.) 62-87. Catalog to an exhibition at the Skagens Museum and The Hirschsprung Collection, Copenhagen. Danish, Swedish, and English editions.
“Les badauds à la baraque de La Goulue.” In Stéphane Guégan and Danièle Devynck, eds., Henri de Toulouse-Lautrec: Résolument moderne. Paris: Réunion des musées nationaux, 2019. 302-311. Catalog to an exhibition at the Grand Palais, Paris.
“Manet’s Fleurs du mal.” In Scott Allan, Emily Beeny, et al. Manet and Modern Beauty – The Last Years. Los Angeles: Getty Publications, 2019. 128-45. Catalog to an exhibition at the Art Institute of Chicago and the J. Paul Getty Museum, Los Angeles. [PDF]
“Painting the Femme Peintre.” In Laurence Madeline et al, Women Artists in Paris, 1850-1900. New Haven and London: Yale University Press, 2017. 25-39. Catalog to an exhibition at the Denver Art Museum; the Speed Art Museum, Louisville; and the Clark Art Institute, Williamstown. [PDF]
“Coude à coude: Au Coin de table de Fantin-Latour.” In Fantin-Latour (1836-1904): À Fleur de Peaux. Paris: Réunion des Musées Nationaux, 2016. 32-39. Catalog to an exhibition at the Musée du Luxembourg, Paris. [PDF]
“Utrillo: Picturing the Picturesque.” In Suzanne Valadon, Maurice Utrillo, André Utter: 12, rue Cortot. Paris: Somogy Éditions d’Art, 2015. 38-47. Catalog to an exhibition at the Musée de Montmartre, Paris. [PDF]
“Manet’s Quarrel with Impressionism.” In Cézanne and the Modern: Masterpieces of European Art From the Henry and Rose Pearlman Collection. New Haven and London: Yale University Press, 2014. 87-93. Catalog to an exhibition at the Ashmoleon Museum of Art and Archaeology, the Musée Granet, the High Museum of Art, the Vancouver Art Gallery, and the Princeton Art Museum. [PDF]
“Vallotton’s Theater of Death.” In Vivien Greene, ed., The Avant-Gardes of Fin-de-siècle Paris: Signac, Bonnard, Redon and their Contemporaries. Venice: The Peggy Guggenheim Collection, 2013. 20-25.
“Femininity and Animality: Portraits of a Lady Exposed.” In Andrea Hornick: Recent Work, 1460-1865. New York: David Krut Projects, 2009. 1-5.
“Paul Cézanne, Man with Crossed Arms, ca. 1899”; “Vasily Kandinsky, Blue Mountain, 1908-09”; “Joan Miró, Landscape (The Hare), Autumn 1927.” Catalog entries in Art Through the Ages: Masterpieces of Painting from Titian to Picasso. New York: The Solomon R. Guggenheim Foundation, 2002. 149-50, 153-54, 159-60.
The Guggenheim Museum Collection: A to Z. Edited by Nancy Spector. New York: Guggenheim Museum Publications, 2001, 2003,...2019. Co-author and researcher for the first edition, with catalog entries on works by Francesco Clemente, Willem de Kooning, Ellsworth Kelly, Frantisek Kupka, Morris Louis, Brice Marden, and Bill Viola.


“Vallotton, Fénéon, and the Legacy of the Commune in Fin-de-siècle France.” Invited for “La Commune n’est pas morte,” a special issue of Nineteenth-Century French Studies 49: 3-4 (Spring 2021): 258-81. [PDF]
“Hammershøi’s Either/Or.” Critical Inquiry 42, no. 2 (Winter 2016): 268-305. [PDF]
“Félix Vallotton’s Murderous Life.” The Art Bulletin 97, no. 2 (June 2015): 210-228. [PDF]
“Bonnard’s Sidewalk Theater.” In “Nineteenth-Century France Now: Art, Technology, Culture.” nonsite 14 (Winter 2014/2015). [PDF]
“Cyprien Gaillard: Blowing Off Steam.” Parkett 94 (June 2014): 238-49.
“Fantin’s Failed Toast to Truth.” The Getty Research Journal, no. 3 (Jan. 2011): 53-70. [PDF]
“Interior Landscapes: Metaphor and Meaning in Cézanne’s Late Still Lifes.” Word & Image 26, no. 4 (Oct. 2010): 314-23. [PDF]
“La fraternité des individus: les portraits de groupe de Degas.” 48/14: La Revue du Musée d’Orsay 30 (Fall 2010): 30-43. [PDF]
“Pleasure’s Poise: Classicism and Baroque Allegory in Poussin’s Dance to the Music of Time.” The Seventeenth Century 23, no. 2 (Fall 2008): 198-224. [PDF]

Edited Journals

Co-editor, with Todd Cronan and Marnin Young, “The Nineteenth Century (Part Three).” nonsite 35 (Spring 2021). The third in a series of nonsite issues featuring new scholarship on nineteenth-century European art, including essays by Caroline Arscott, Jeremy Melius, Éric Michaud, and Eik Kahng, plus a feature on Michael Fried and the possibility of a Marxist art criticism with responses by Jeff Wall, Irmgard Emmelhainz, Blake Stimson, and Nicholas Brown. Issue launched 9 May 2021
Co-editor, with Marnin Young, “The Nineteenth Century (Part Two).” nonsite 27 (Winter/Spring 2019). The second in a series of nonsite issues featuring new scholarship on nineteenth-century European art, including essays by Alex Potts, Hollis Clayson, Margaret Werth, Michelle Foa, Alison Morehead, and Jennifer Olmsted. Issue launched 11 Feb. 2019
Co-editor, with Marnin Young, “The Nineteenth Century (Part One).” nonsite 26 (Winter 2018/2019). The first in a series of nonsite issues featuring new scholarship on nineteenth-century European art, including essays by T. J. Clark, Richard Shiff, Susan Sidlauskas, Cordula Grewe, and Samuel Raybone. Issue launched 12 Nov. 2018
Editor, “Nineteenth-Century France Now: Art, Technology, Culture.” nonsite 14 (Winter 2014/2015). A special issue of nonsite featuring new scholarship on nineteenth-century French art and visual culture, including essays by Gulru Çakmak, Marc Gotlieb, Nancy Locke, Susan Siegfried, Richard Taws, Marnin Young, and Bridget Alsdorf. Issue launched 10 Dec. 2014


"At the Barnes: Marie Laurencin: Sapphic Paris." London Review of Books 46:2 (25 Jan. 2024) [PDF]
“Hopscotch on a Mondrian: Florine’s Stettheimer’s Wit.” Review essay on Barbara Bloemink, Florine Stettheimer: A Biography (Munich: Hirmer, 2021). London Review of Books 40:21 (3 Nov. 2022): 35-36. [PDF]
Review of Emily Beeny and Francesca Whitlum-Cooper, Poussin and the Dance (Los Angeles: J. Paul Getty Museum and London, National Gallery, 2021). The Seventeenth Century 37:4 (June 2022): 689-91. [PDF]
“At the Barnes: Suzanne Valadon.” London Review of Books 44:15 (10 March 2022): 15-16. [PDF]
“Out-Tissoted.” Review essay on Melissa Buron, et al., James Tissot (Munich: Prestel, 2019). London Review of Books 42:16 (13 August 2020): 15-16. [PDF]
“At the Royal Academy: Félix Vallotton.” London Review of Books 41:18 (26 Sept. 2019): 14-15. [PDF]
Review of James D. Herbert, Brushstroke and Emergence: Courbet, Impressionism, Picasso (Chicago: University of Chicago Press, 2015). Critical Inquiry 44:1 (Autumn 2017): 182- 183. [PDF]
Review of Patricia Leighten, The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris (Chicago: University of Chicago Press, 2013). Nineteenth-Century Art Worldwide 13:1 (Spring 2014). [PDF]
Review essay on The Studio Reader: On the Space of Artists, eds. Mary Jane Jacob and Michelle Grabner (Chicago: University of Chicago Press, 2010). The Art Bulletin 95:2 (June 2013): 334-337. [PDF]


Translator of Éric Michaud, “Cézanne’s Sensations.” nonsite 39 (Spring 2022)
Translator of Éric Michaud, “Daguerre, Christian Prometheus.” nonsite 35 (Spring 2021)